Bong Joon Ho

(Photo by Dominique Charriau / WireImage)

For the first time since May 2019, the Festival de Cannes – fultimately – welcomes cinephiles once again to the Palais, where a new selection of films competes for the coveted Palme d’Or (the festival’s top prize) and possibly up to the Oscars as the 2019 winner Parasite done in 2020. This year’s jury, led by director Spike Lee, will determine which film takes home the gold laurels, but we also have a host of films from the One Certain Looks section and out of competition sections that are already rocking our hearts.

The Venice Film Festival managed to shrink during the pandemic and Sundance hosted a completely virtual affair, but Cannes is the first major festival to host stars, critics, industry insiders, students and fans. at the festival for over two years. All eyes are on the French case to see how well they can navigate the COVID-19 restrictions, which have prevented most in-person gatherings and devastated the film festival schedule. Cannes Film Festival delegate Thierry Frémaux said he intended to have full capacity in the various theaters, and although attendees are encouraged to get vaccinated before attendance, this will not be mandatory. Additionally, travel restrictions prevented many, including stars from the various films, from attending, but Rotten Tomatoes will be on the pitch with a daily log of all the hot events and headlines for those who want to stay informed. .

If you’re curious about what we’re gearing up to cover, read on for the seven hottest movies we’re looking for at Cannes 2021; you’ll definitely want to check them out when they hit theaters near you or land on streaming.

Colin Farrell

(Photo by Karwai Tang / Getty Images)

Director: Kogonada

Discard: Jodie Turner-Smith, Colin Farrell, Haley Lu Richardson, Justin H. Min, Clifton Collins Jr.

Official synopsis: In the near future, a family is grappling with questions of love, connection, and loss after their AI assistant unexpectedly goes down.

Why we want to see it: If by any chance you missed the previous Kogonada effort, Columbus, do yourself a favor and watch it immediately, and you will understand why we are so excited for its latest, After Yang. The sci-fi drama stars Haley Lu Richardson (who once starred in Columbus alongside John Cho), Colin Farrell and one of our new favorite Grand Ladies, Jodie Turner-Smith. In what appears to be a reversal of the premise of Steven Spielberg and Stanley Kubrick AI, in which artificial intelligence is taken for granted, After Yang seems to explore the positive impact of an artificial being on the family unit and how they struggle with the grief of his absence.

Director: Valerie Lemercier

Discard: Valérie Lemercier, Danielle Fichaud, Sylvain Marcel

Official synopsis: The life story of Canadian singer sensation Aline Dieu, a fictional pop star whose life is loosely based on Grammy-winning superstar Celine Dion.

Why we want to see it: You had us at “Aline”. Someday we’ll likely have an official Celine Dion biopic that the singer herself has endorsed. Yet if the television show Hacks (based on the life of Joan Rivers) and film adaptation Dream girls (based on the formation of The Supremes) didn’t teach us anything, “weakly inspired” biopics can often prove to be quite entertaining for critics and audiences alike. Valérie Lemercier, who directs and co-writes the film, also stars as Aline throughout her life, and despite Celine Dion’s lack of approval, it looks like we’ll still be hearing a few of her classic songs. during the film, and that is enough to guarantee our presence.

Director: Paul Verhoeven

Discard: Virginie Efira, Lambert Wilson, Daphné Patakia, Olivier Rabourdin, Clotilde Courau, Charlotte Rampling, Hervé Pierre

Official synopsis: A novice nun in the 17th century joins an Italian convent and begins a love affair with another woman.

Why we want to see it: An erotic thriller about 17th century nuns from behind Primary instinct? What else do you need? If the premise sounds like a lot of spice without substance, let’s remember that the same could be said of an erotic rape and revenge thriller starring Isabelle Huppert, and yet Verhoeven managed to get away with it. room to sell. It. Here, he’s teamed up with many of his collaborators on this film, including co-writer David Birke and star Virginie Efira, and we believe he’ll go beyond his titillating connection line to unveil a gripping drama that should get everyone talking. people.

Director: Leos Carax

Discard: Adam Driver and Marion Cotillard

Official synopsis: The glamorous life of a provocative comedian and his wife, a world-renowned soprano, takes an unexpected turn when their daughter Annette is born with a unique gift.

Why we want to see it: We got a glimpse of Adam Driver’s singing ability in Marriage story when he perfectly sang the essential of Broadway “Being Alive” by Company. Since then, the idea of ​​an Adam Driver musical has danced through our collective minds. This year, those wishes come true alongside Oscar-winning French actress Marion Cotillard, which only increases the anticipation. This is the first English film by director Leos Carax, who returns to Cannes after his film Sacred Motors competed in 2012. Annette is on the way to being the most commercial work of the French filmmaker’s career while remaining faithful to her inspirations from the French New Wave.

Alicia vikander

(Photo by Jacopo Raule / Getty Images)

Director: Justin chon

Discard: Justin Chon, Alicia Vikander, Mark O’Brien, Linh Dan Pham, Martin Bats Bradford

Official synopsis: A Korean-American raised in the Louisiana bayou who works hard to support his family must face the ghosts of his past after discovering he could be deported from the only country he has ever called home.

Why we want to see it: Actor-turned-director Justin Chon has shown promise since his first film Gook, which earned him an Indie Spirit Award as a filmmaker to watch. Chon followed Gook with another critical darling, Mrs. Violet, and with his third feature film, he arrived on the Croisette. He draws a triple duty of writing, directing and star in Bayou blue, and with the added star power of Oscar-winner Alicia Vikander, this intimate immigrant story set in the Louisiana bayou could confirm her status as an escape director.

Director: Wes anderson

Discard: Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson

Official synopsis: Three stories unfold as dedicated journalists at a Kansas newspaper’s French office scramble to put together the publication’s latest issue.

Why we want to see it: Wes Anderson has garnered over 15 Oscar nominations and four wins for his previous films, and he returns to the festival with a film that has been slated for a Cannes premiere for almost 2 years. Those facts alone would be enough to grab our attention, but with another stellar set of Oscar-winning and must-see Anderson cast members, this love letter to journalism set in France has us hoping it can rise to the top of his film nominated for best film. The Grand Hotel in Budapest. Also with Timothée Chalamet and Saoirse Ronan in a mini Ladybug / Little women meeting, The French dispatch is arguably the most anticipated feature of the festival.

Director: Tom mccarthy

Discard: Matt Damon, Camille Cottin and Abigail Breslin

Official synopsis: A father travels from Oklahoma to France to help his estranged daughter, who is in jail for a murder she claims not to have committed.

Why we want to see it: Tom McCarthy has focused mainly on television and family films since winning the Oscar for Best Picture in 2015 Projector, but his latest, another “real-life” crime drama, could see him return to the Oscar conversation. Matt Damon, who stars in the film, is clearly the one to watch in the Best Actor race with his role here as a hard worker on an oil rig seeking to free his daughter from prison. Focus Features has several contenders for the 2021 awards between this one, that of Edgar Wright Last night in Soho, that of Kenneth Branagh Belfast, and that of Paul Schrader The card counter, the Cannes premiere therefore probably signals a more commercial appeal for the feature film, which is not in competition but which should be released in theaters on July 30.

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