“It was pretty crazy. It’s real too, “Billie Eilish told Zane Lowe of her self-made video for” NDA “released Thursday night.” Real “meaning: No, it’s not a green screen behind the singer so as she descends the dotted center line on a night road like a lost refugee from David Lynch’s “Lost Highway”, wooing the disaster of what one press release describes as 25 “extremely experienced stuntmen.
It’s like Eilish is watching The Weeknd do his Billboard Music Awards stunt production act in a mall parking lot in May and say, “Let’s do something like this, except everyone goes faster. , in the middle of the night. ”Eilish sure didn’t sign a nondisclosure agreement during the making of the video, but she certainly had to sign a personal injury waiver.
But it turns out it’s not just the stunt performers invading her space in “NDA.” They are also stalkers and even great potentials. Eilish goes into denominational lyrical mode to explore the less fun sides of stardom – not for the first time in the tracks leading up to her new album (see also “Everything I Wanted”), and maybe not for the last (although we might have to wait for the July 30 release of the feature “Happier Than Ever” to see how far it takes the theme).
Many artists who reach fame almost overnight devote a large chunk of their second albums to what can be disappointing. Fans of Eilish may be happier than ever to find that she retains much of her biting humor and blunt language, and doesn’t get too predictable or serious when describing what she’s up to. been faced in the past two years. . When she sings: “I had a cute boy but he couldn’t stay / On his way I made him sign an NDA” you laugh because it can’t be real, then you laugh maybe a little louder when you realize that of course that it probably is.
Other lines quickly allowed listeners to uncover facts that Eilish didn’t seem afraid or bewildered to reveal: “I bought a secret house when I was 17 / I haven’t had a party since I have the keys. ” Meanwhile, the not entirely linear music she and Finneas came up with for “NDA” recalls some of the scariest moments from “When we all fall asleep, where do we go?” And a warm return to this. Previous singles preferring “Happier Than Ever” have turned slightly towards contentment and / or musical convention – and there’s nothing wrong with that, as she’s as good as a visibly sane pop star. ‘she was when she scared adults seems to bleed from her eyes. But with “NDA”, a single that really looks more like a quirky “album track” disguised as a single, it’s good to find its more confusing side, in full bloom uncomfortable.
She becomes self-referential, throwing an aside that alludes to “My Future”: “I thought about my future, but I want it now,” she says, semi-comically denying the message of that previous song. (which was also a preview track for the next album, although time goes by it looks like it came out about a hundred years ago). It’s Eilish’s mind racing, then folding in on itself, even faster than one of those stunt cars.